My guest this week was Brooklyn musician John Russell (Hair Club, Grace Kelly All Day). We also premiered our new Post-Trash Radio theme, courtesy of the geniuses in Brooklyn supergroup Ubetcha. Dig it!
Post-Trash Radio playlist:
Ubetcha – Post-Trash Theme
Melvins – The Decay of Lying
Milk – Too High To Drive
Palehound – Room
Big Walnuts Yonder – I Got Marty Feldman Eyes
Anna Altman – American Gothic
The Cowboys – After Sunset
Ubetcha – Caught In The Cloam
Big French – Apartments For The West
Fat History Month – Heart Takes A Beating
The Coathangers – Parasite
Otoboke Beaver – Love Is Short
Taiwan Housing Project – Eat Or Be Eat
Skydaddy – Sweep The Floor
Anna McClellan – Loom
Two Inch Astronaut – Play To No One
Thanks For Coming – Escape From Planet Earth
So I have been a little scared to post (go ahead, ask me why), and now I’m getting over that fear again. Since Feb 2017 I have been hosting a couple weekly radio shows on KPISS.fm. My plan is to share on this blog the shows I upload every week. Last week on Radio Yazan my guest was Adam Silvestri of Brooklyn band Radiator King. Check out Adam’s new record “A Hollow Triumph After All”, out now, and catch him on his US tour this month. Enjoy!
My dad died five years ago last week. He died of lung cancer, though he had quit smoking over 13 years before he passed. I would like to share some of the things I’ve learned in dealing with his illness, his passing, and my life since:
-Stress is a part of life, and having a constructive outlet to process the stress and trauma experienced is essential to maintaining mental and physical health. Arts are healing, especially when the work tells your story, and you share that work with your community/family/friends. If my dad had integrated into his life a creative outlet that allowed him to share his story, I think he would have lived for a few more years at least, and would have been way happier. Unfortunately he came from a culture where repression of feelings is the norm, and thus never felt comfortable expressing (or even investigating) his deeper issues.
-Children unconsciously inherit the traumas of their parents, especially if the parents have accumulated stress without a constructive outlet for it. All the material comforts and luxuries provided still will not insulate a child’s psyche from the influences of his/her environment. These children then grow up burdened with the baggage of traumas past, possibly passing their trauma onto their own children, and continuing the cycle of stress and violence. To break this cycle, our lives must allow for us to express ourselves honestly and without fear of judgment, and integrating opportunities to be honestly expressive into the lives of young people is essential for a healthier society.
-The passing of a parent is a regular rite of passage into adulthood. It is the way things are meant to go according to the cycle of life. However, illness and suffering are unnecessary, and we should aim to live lives that avoid burdening our children or caretakers from having to take care of us as sick people.
-After your parents pass away, you have an opportunity to re-invent yourself as a new type of adult. Maturity generally peaks as a person becomes a member of the oldest living generation of their family. Though losing a close family member can be traumatic, it is also an opportunity to free yourself from constraints and expectations that have been put upon you since infancy that you may have lived with unconsciously.
My father was a great man in his accomplishments, especially given that his life started in conflict, and that he grew up in refugee camps until early adulthood. He provided the utmost for his family, and was a radical in his attempts to steer our world into a sustainable path. I have had the privilege of a well-rounded education (which I am very grateful that my parents insisted my brothers and I have access to), and have discovered what I need to do to heal myself from those inherited traumas, so I am hoping to continue my family tradition of being an agent for radical, constructive change in our world.
I’m in a moving van with six other people, headed towards Mahall’s near Cleveland to play a show tonight. I’ve been on tour filling in on bass for Jackal Onasis, touring with fellow Exploding in Sound band Ovlov. I would have shared the dates sooner but oh well. Trying to keep writing to this blog no matter how boring my posts may be. Tour was great and I’ll be doing more of this later this year. Thanks to all the friendly folks who have supported us and taken care of us on this trip!
February came and went, and I managed a few posts about some of the Black American artists I love and have been inspired by, but there are so many more. Black Americans in general deserve greater recognition for their contributions to this country’s abundant wealth and culture, so Black History Month continues for me.
I discovered Belton Sutherland, a generally unknown blues player, in the music documentary The Land Where Blues Began (1979, dir Alan Lomax) (watch it here for free). I bought a DVD of it after seeing that my great blues idol RL Burnside had a few performances in it.
All of the performances in the film by various artists are remarkable in their own way, but something about Belton stirred me deeply. He was not a professional artist, just a man hardened by a punishing existence, expressing some dark and heavy blues — maybe the heaviest I have ever heard from a country blues performer. His lyrics are brutal — “Kill that old gray mule / burn that white man’s barn / I didn’t mean no trouble, I didn’t mean no harm”. This is folk music of a systematically oppressed and impoverished person.
He looked so badass too, with a cigarette barely hanging off his lip and his cold stare. Back in 2010-2011 when I was just starting to learn to play and sing in a country blues style, I dreamed that I could be that bad some day. So, I ended up buying a 1938 Gibson L-50 archtop guitar on eBay that looked just like his, and that’s the main acoustic guitar I still use today. I am still nowhere near as bad as he was though, and will probably never be (I’m cool with that).
I’ve been busy the past few weeks finding new ways to express myself, and after a really fun interview with Sheri Barclay at KPISS.FM a few weeks back, I realized that I can talk about any subject for any amount of time. So, I decided to start not just one, but two radio programs, and they are both launching today.
Wednesdays 6-7PM EST on kpiss.fm I’ll be hosting Post Trash Radio, with your occasional co-host Dan Goldin (founder of Post Trash and Exploding in Sound Records). He’ll be missing this week since he’s busy packing and mailing new PILE records, but I hope he’ll be able to join me regularly. We’ll be playing lots of new music and occasionally sitting down with performers for interviews and acoustic performances too!
Immediately flowing from Post Trash Radio will be Radio Yazan from 7-8PM on Wednesdays. I’ll be focusing on culture in general, talking about ideas I’ve been developing that I consider critical in light of the cultural blight America is facing. My guest this week will be Alex Molini (Jackal Onasis, Stove, ex-Dirty Dishes), and we’ll be talking plenty of shit about all kinds of stuff, and maybe playing some of his tunes too.
We’ll get these episodes up as a podcast eventually. For now, it’ll be live on Wednesdays and archived on the KPISS Mixcloud page. You can get in the chat room at kpiss.fm during the show and make requests or ask questions too! Tune in and please check it out! LISTEN TO KPISS is on Mixlr
James Brown is the greatest performer of his generation: energetic, theatrical, uniquely idiosyncratic, and musically groundbreaking. I got obsessed in high school with his music, though it was only after YouTube that I got to really check out what one of his performances (and interviews) was like. The only performer in my mind to take it to the next level was Prince — more on him from me this week.
Even though he recorded only about 30 songs in his life, he was the first preacher to make blues records and influenced everyone to come along afterwards. Years ago, I spent a whole drive from Asheville, NC to Memphis, TN singing along to this song to try to learn how to inflect like he does. I’m still working on it…
I walked miles through the snow today to be interviewed by the very real and very gracious Sheri Barclay. “The things I’ll do for self-promotion!” We also premiere one of my yet unheard, unreleased tracks, called “Do You Wanna Go?” Listen here:
Back in summer 2004, I was in an office working for the City of New York, and I remember sitting on my chair at my desk, under a blanket trying to insulate from the extreme air conditioning in the building, and this tune came on in my headphones and it was the first time I’d really listened closely to the singing towards the end of the tune, and I just started crying uncontrollably, right there in front of everyone. I still get choked up listening to Eddie’s beautiful voice.